- Mary Ann Doane, “The Voice in the Cinema: The Articulation of Body and Space”
- Laura Mulvey, “Visual Pleasure and Narrative Cinema”
- What are the authors’ main arguments?
- Who is the spectator that the authors are discussing / imagining?
- What common sense are the authors dialoguing with (or against)?
- How do the texts dialogue with one another?
- How do they change your own view of film?
- Your comment on something that stood out to you, or that you’d like more explanation on.
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