In his essay, “Modernist Painting,” Clement Greenberg makes an argument for the autonomy and purity of modernist artworks (Art in Theory: 1900-2000, pgs. 773-779).
In a 2 page, double-spaced paper, consider the following questions:
How does Greenberg conceptualize this notion of an “autonomous” artwork?
What must an artist do in order to enhance autonomy?
Consider the notion of “purity” as advocated by Greenberg. How does the concept of purity inform the development of Formalism in modern art?
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