bell hooks, “Oppositional Gaze”
Astria Suparak, “Asian Futures Without Asians.”
- What are the authors’ main arguments?
What is the spectator that the authors are discussing / imagining?
What common sense are the authors dialoguing with (or against)?
- How do these texts complement Diawara and Dyer’s texts?
- How would you connect the “oppositional gaze” to the films K’Bela (Yasmin Thayná, 2015) and Black Girl (Ousmane Sembène, 1966)?
- Your comment on something that stood out to you, or that you’d like more explanation on.